
A revival of the historic cyanotype process, blending traditional UV exposure with contemporary themes and materials.
Cory Woodall is an art historian, curator, and contemporary artist specializing in the historic cyanotype process. A graduate of the University of California, San Diego, she merges early photographic techniques with modern artistic perspectives to create evocative, nature-inspired works.
Drawing inspiration from early photography pioneers, Cory reinterprets the medium of cyanotype through the lens of modern botanical studies. Using hand-coated, light-sensitive paper, she arranges ethically sourced plant specimens to create luminous, organic compositions that highlight nature's intricate beauty.
Her work bridges science, history, and art, transforming delicate botanical forms into striking imagery. Each piece reflects a meticulous process of selection, arrangement, and exposure, resulting in a timeless fusion of historical craftsmanship and contemporary expression.
Cory currently lives and works in Flagstaff, Arizona, where she enables and incentivizes local artists. She has previously served as Assistant Curator at The San Diego Museum of Art and Curator of the Juneau-Douglas City Museum in Alaska.

A selection of recent pieces shared without a set objective—individual explorations that may evolve into future series or remain independent.
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Reimagining the genre of still life with glass vases and a variety of botanic specimens.
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Singular studies of a variety of botanical specimens in the traditional style of the herbarium, a catalog of plant life utilized by naturalists for centuries.
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Snowfall (quadriptych), April 4 2025, Flagstaff AZ
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In this series, plants native to California are assembled in imaginary bouquets suggesting an invented and impossible growth between a variety of species. Incorporating specimens from various seasons and regions, these carefully arranged subjects are presented in a single organism.
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Botanical studies from the artist's backyard in Flagstaff, Arizona, capturing the natural beauty of local flora.
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Available for commissions, gallery exhibitions, and educational workshops.
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The medium of cyanotype is a photographic one, created with a careful mixture of light sensitive chemicals coated onto a support surface and exposed to ultraviolet light, leaving behind areas of light and dark—shadows, essentially. This shadow-fixing process is the basis of all non-digital photography since its invention in 1839. The major difference between the numerous ways of making photographic prints is the materials involved that makes a surface light sensitive with the ability to capture and preserve impressions of light and shadow. Cyanotype emulsion (a liquid) uses a combination of water and chemicals that are available commercially today and can be applied to a variety of support surfaces, including paper, fabric, and ceramic.
Read more about cyanotype art in our articles section →